Photo Exhibition and Book

Unprecedented stories of the first generation of women from Turkey

Starting from the late 1960s, more and more women from Turkey came to the Netherlands to build new lives here. What were those lives like? We know very little about them. The book ‘If only you knew’ and the eponymous exhibition by photographer and visual artist Çiğdem Yüksel bring these women's stories to light and secure them a lasting place in Dutch history.

"Bir bilsen... If only you knew..." This is how many women begin their life stories when Çiğdem Yüksel seeks them out. Women like Maviye, who fought for women's rights, and Selvet, who worked three shifts a day and barely saw her children. Twenty-two of them are portrayed through interviews, family album photos, and new portraits of the women, who are now between sixty and eighty years old. 

They speak of the pain of migration, homesickness, getting lost and finding their way. Working, taking care of children, learning the language. Love and unhappy marriages. Being restricted as women and emancipation. Their contributions to the Dutch economy as factory workers or cleaners, and their struggle for freedom and equal rights. Their stories are diverse, layered, ambiguous, like every human experience.

Left: Fatma Akın by Bertien van Manen, from the series ‘Vrouwen te Gast’. Right: Fatma Akın by Çiğdem Yüksel.

Çiğdem Yüksel: “I realized how much I miss the images that do justice to the story of first generation of women from Turkey, like my grandmother. An archive that is representative, where my generation and the generations after us can go to see who these women were and to understand where our story in the Netherlands began. If we do not quickly supplement our visual heritage, this history will remain invisible. These women are elderly; time is running out.”

 
 

 
 

Exhibition and Book

Among the scarce existing visual material is the book ‘Vrouwen te gast’ (In English ‘Women Guests’) from 1979 by the recently deceased documentary photographer Bertien van Manen. Some of the women Van Manen photographed have been re-portrayed by Yüksel. Yüksel: "It is incredibly special to have collaborated with Bertien. Despite our difference in age and background, we felt connected through our work, the urgency to tell stories that matter."

The exhibition will be on display from September 28, 2024, to May 25, 2025, at the Nederlands Fotomuseum in Rotterdam. Simultaneously, there will be an extensive public program with workshops, guided tours, and lectures.

The eponymous book, published by nai010 publishers, is available in Dutch, English and Turkish. It can be purchased in Dutch and international book stores and online.

 
 

 

About the artist

Çiğdem Yüksel (1989) is a photographer and researcher. In 2016, she won the prestigious Silver Camera award with her poignant portrait series of Syrian refugee children working in shoe factories in Turkey. She conducted research on our collective visual memory and the visual representation of Muslim women in the Netherlands. This resulted, among other things, in a widely discussed 2020 research report on the representation of Muslim women in the ANP image bank. She created the photo series A New Beginning as part of the transmedia project Shadow Game, which was exhibited nationwide and showcased in New York during the prestigious Photoville festival.

 
 

Credits

Research, Interviews, and Photography: Çiğdem Yüksel
Concept: Frederiek Biemans, Eefje Blankevoort, Çiğdem Yüksel
Project Management: Laura Verduijn
Texts: Hizir Cengiz
Essays: Merel Bem, Sinan Çankaya, Hizir Cengiz, Suzanna Jansen, Meral Polat
Historical text: Mila Lemmens (BMP)
Editors: Frederiek Biemans, Eefje Blankevoort
Copy editor: Lara Aerts
Photo editors: Frederiek Biemans, Frits Giertsberg, Çiğdem Yüksel
Design: Kummer & Herrman
Photography Vrouwen te Gast: Bertien van Manen
Lithography: Marc Gijzen
Translation English: Ruth Hopkins, Roxy Merrell, Janey Tucker
Translation Turkish: Aslı Güneş, Hanneke van der Heijden, het Vertaalcollectief
Publisher: nai010 uitgevers

Made possible with support from VriendenLoterij, Mondriaan Fonds, Stimuleringsfonds Creatieve Industrie, Cultuurfonds, VSB-fonds, Amsterdams Fonds voor de Kunst, Amarte, Textiellab, Corendon Foundation, Fonds ZOZ, Stichting Democratie en Media, Fonds Bijzondere Journalistieke Projecten, Jaap Harten Fonds, Gemeente Amsterdam, Stichting De Hoorn and many donors via Voordekunst.